{"database":"biostudies-literature","file_versions":[],"scores":null,"additional":{"omics_type":["Unknown"],"volume":["15(4)"],"submitter":["Zhao Y"],"pubmed_abstract":["We investigated the influence of the medium on the perception of depicted objects and materials. Oil paintings and their reproductions in engravings were chosen because they are vastly distinctive media while having completely identical content. A total of 15 pairs were collected, consisting of 88 fragments depicting different materials, including fabric, skin, wood and metal. Besides the original condition, we created three manipulations to understand the effect of colour (a greyscale version) and contrast (equalised histograms towards both painting and engraving). We performed rating experiments on five attributes: three-dimensionality, glossiness, convincingness, smoothness and softness. An average of 25 participants finished each of the 20 online experimental sessions (five attributes "],"journal":["i-Perception"],"pagination":["20416695241261140"],"full_dataset_link":["https://www.ebi.ac.uk/biostudies/studies/S-EPMC11297522"],"repository":["biostudies-literature"],"pubmed_title":["Material perception across different media-comparing perceived attributes in oil paintings and engravings."],"pmcid":["PMC11297522"],"pubmed_authors":["Stumpel J","Wijntjes MWA","de Ridder H","Zhao Y"],"additional_accession":[]},"is_claimable":false,"name":"Material perception across different media-comparing perceived attributes in oil paintings and engravings.","description":"We investigated the influence of the medium on the perception of depicted objects and materials. Oil paintings and their reproductions in engravings were chosen because they are vastly distinctive media while having completely identical content. A total of 15 pairs were collected, consisting of 88 fragments depicting different materials, including fabric, skin, wood and metal. Besides the original condition, we created three manipulations to understand the effect of colour (a greyscale version) and contrast (equalised histograms towards both painting and engraving). We performed rating experiments on five attributes: three-dimensionality, glossiness, convincingness, smoothness and softness. An average of 25 participants finished each of the 20 online experimental sessions (five attributes ","dates":{"release":"2024-01-01T00:00:00Z","publication":"2024 Jul-Aug","modification":"2025-04-05T15:02:26.526Z","creation":"2025-02-19T04:41:07.127Z"},"accession":"S-EPMC11297522","cross_references":{"pubmed":["39100931"],"doi":["10.1177/20416695241261140"]}}