<HashMap><database>biostudies-literature</database><scores/><additional><omics_type>Unknown</omics_type><volume>11(2)</volume><submitter>Pozzi F</submitter><pubmed_abstract>This article highlights how advanced chemical analysis led to groundbreaking discoveries in &lt;i>Christ Blessing&lt;/i> (1505-1506), a painting attributed to Raphael and housed in the Pinacoteca Tosio Martinengo, Brescia, Italy. Through a comprehensive, noninvasive scientific investigation conducted in situ at the museum, our team identified a distinctive freehand underdrawing executed in a dry medium with a pointed tool and a rare early use of Egyptian blue in Renaissance art. Crucially, the presence of this ancient synthetic pigmentlong thought to have vanished after antiquitywas chemically confirmed in the background of the composition, where it was used alongside azurite and ultramarine blue. This marks the only documented instance of Egyptian blue in a panel painting by Raphael and its o</pubmed_abstract><journal>ACS omega</journal><pagination>3509-3517</pagination><full_dataset_link>https://www.ebi.ac.uk/biostudies/studies/S-EPMC12824709</full_dataset_link><repository>biostudies-literature</repository><pubmed_title>Unveiling Raphael's Christ Blessing: Chemical Analysis Reveals Distinctive Underdrawing Techniques and a Rare Early Use of Egyptian Blue in Renaissance Art.</pubmed_title><pmcid>PMC12824709</pmcid><pubmed_authors>Cucci C</pubmed_authors><pubmed_authors>Stefani L</pubmed_authors><pubmed_authors>Gargano M</pubmed_authors><pubmed_authors>Castelli L</pubmed_authors><pubmed_authors>Picollo M</pubmed_authors><pubmed_authors>Ruberto C</pubmed_authors><pubmed_authors>Ricci C</pubmed_authors><pubmed_authors>Demonte D</pubmed_authors><pubmed_authors>Pozzi F</pubmed_authors><pubmed_authors>Morlotti M</pubmed_authors></additional><is_claimable>false</is_claimable><name>Unveiling Raphael's Christ Blessing: Chemical Analysis Reveals Distinctive Underdrawing Techniques and a Rare Early Use of Egyptian Blue in Renaissance Art.</name><description>This article highlights how advanced chemical analysis led to groundbreaking discoveries in &lt;i>Christ Blessing&lt;/i> (1505-1506), a painting attributed to Raphael and housed in the Pinacoteca Tosio Martinengo, Brescia, Italy. Through a comprehensive, noninvasive scientific investigation conducted in situ at the museum, our team identified a distinctive freehand underdrawing executed in a dry medium with a pointed tool and a rare early use of Egyptian blue in Renaissance art. Crucially, the presence of this ancient synthetic pigmentlong thought to have vanished after antiquitywas chemically confirmed in the background of the composition, where it was used alongside azurite and ultramarine blue. This marks the only documented instance of Egyptian blue in a panel painting by Raphael and its o</description><dates><release>2026-01-01T00:00:00Z</release><publication>2026 Jan</publication><modification>2026-06-06T22:37:28.413Z</modification><creation>2026-06-06T03:10:54.021Z</creation></dates><accession>S-EPMC12824709</accession><cross_references><pubmed>41585722</pubmed><doi>10.1021/acsomega.5c11121</doi></cross_references></HashMap>