<HashMap><database>biostudies-literature</database><scores/><additional><omics_type>Unknown</omics_type><volume>9(1)</volume><submitter>Darda KM</submitter><pubmed_abstract>Is artificial intelligence (AI) changing our culture or creating its own? With advancements in AI and machine learning, artistic creativity is moving to a brave new world of possibility and complexity, while at the same time posing challenging questions, such as what defines something as &lt;i>art&lt;/i>, what is the role of human creativity in an automated world, and do we evaluate artificial art in the same way as art made by humans? Across two pre-registered and statistically powered experiments we shed light on the nature of aesthetic responses toward computer-generated art by investigating observer prejudices against computer-generated dance choreography, and the impact of expertise and pre-conceived beliefs about the origin of artistic creation. Our results provide substantive evidence tha</pubmed_abstract><journal>Heliyon</journal><pagination>e12750</pagination><full_dataset_link>https://www.ebi.ac.uk/biostudies/studies/S-EPMC9852657</full_dataset_link><repository>biostudies-literature</repository><pubmed_title>The computer, A choreographer? Aesthetic responses to randomly-generated dance choreography by a computer.</pubmed_title><pmcid>PMC9852657</pmcid><pubmed_authors>Darda KM</pubmed_authors><pubmed_authors>Cross ES</pubmed_authors></additional><is_claimable>false</is_claimable><name>The computer, A choreographer? Aesthetic responses to randomly-generated dance choreography by a computer.</name><description>Is artificial intelligence (AI) changing our culture or creating its own? With advancements in AI and machine learning, artistic creativity is moving to a brave new world of possibility and complexity, while at the same time posing challenging questions, such as what defines something as &lt;i>art&lt;/i>, what is the role of human creativity in an automated world, and do we evaluate artificial art in the same way as art made by humans? Across two pre-registered and statistically powered experiments we shed light on the nature of aesthetic responses toward computer-generated art by investigating observer prejudices against computer-generated dance choreography, and the impact of expertise and pre-conceived beliefs about the origin of artistic creation. Our results provide substantive evidence tha</description><dates><release>2023-01-01T00:00:00Z</release><publication>2023 Jan</publication><modification>2025-04-04T11:33:31.621Z</modification><creation>2025-04-04T11:33:31.621Z</creation></dates><accession>S-EPMC9852657</accession><cross_references><pubmed>36685468</pubmed><doi>10.1016/j.heliyon.2022.e12750</doi></cross_references></HashMap>