Capturing differences in perception and aesthetic judgment of live or medially presented music: development of a self-report instrument.

ABSTRACT: Nowadays there are multiple ways to perceive music, from attending concerts (live) to listening to recorded music through headphones (medial). In between there are many mixed modes, such as playback performances. In empirical music research, this plurality of performance forms has so far found little recognition. Until now no measuring instrument has existed that could adequately capture the differences in perception and aesthetic judgment. The purpose of our empirical investigation was to capture all dimensions relevant to such an assessment. Using 3D-simulations and dynamic binaural synthesis, various live and medial situations were simulated. A qualitative survey was conducted at the Department of Audio Communication of the Technical University of Berlin (TU Berlin). With the help of th

SUBMITTER: Meinel LS 

PROVIDER: S-EPMC11018976 | biostudies-literature | 2024

REPOSITORIES: biostudies-literature