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ABSTRACT: Introduction
This study investigates the mechanisms underlying pitch class-color synesthesia, a cognitive trait in which musical pitches evoke color perceptions. Synesthesia in music particularly involves the association of pitch classes (e.g., do, re, and mi) with specific colors. A previous study introduced the two-step hypothesis, which suggests that pitch class identification precedes color association, and proposed a rainbow-like theory based on color gradients selected by synesthetes. The primary objective is to retest these theories to evaluate their generalizability in explaining pitch class-color synesthesia.Methods
We employed a dual-task paradigm to assess the robustness of the two-step hypothesis and conducted qualitative interviews to explore the nature
SUBMITTER: Cao A
PROVIDER: S-EPMC11758358 | biostudies-literature | 2024
REPOSITORIES: biostudies-literature