Dataset Information

Multisensory integration of musical emotion perception in singing.

ABSTRACT: We investigated how visual and auditory information contributes to emotion communication during singing. Classically trained singers applied two different facial expressions (expressive/suppressed) to pieces from their song and opera repertoire. Recordings of the singers were evaluated by laypersons or experts, presented to them in three different modes: auditory, visual, and audio-visual. A manipulation check confirmed that the singers succeeded in manipulating the face while keeping the sound highly expressive. Analyses focused on whether the visual difference or the auditory concordance between the two versions determined perception of the audio-visual stimuli. When evaluating expressive intensity or emotional content a clear effect of visual dominance showed. Experts made more use of the visual cues than laypersons. Consistency measures between uni-modal and multimodal presentations did not explain the visual dominance. The evaluation of seriousness was applied as a control. The uni-modal stimuli were rated as expected, but multisensory evaluations converged without visual dominance. Our study demonstrates that long-term knowledge and task context affect multisensory integration. Even though singers' orofacial movements are dominated by sound production, their facial expressions can communicate emotions composed into the music, and observes do not rely on audio information instead. Studies such as ours are important to understand multisensory integration in applied settings.

SUBMITTER: Lange EB

PROVIDER: S-EPMC9470688 | biostudies-literature | 2022 Oct

REPOSITORIES: biostudies-literature

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Multisensory integration of musical emotion perception in singing.

Lange Elke B EB Fünderich Jens J Grimm Hartmut H

Psychological research 20220110 7

We investigated how visual and auditory information contributes to emotion communication during singing. Classically trained singers applied two different facial expressions (expressive/suppressed) to pieces from their song and opera repertoire. Recordings of the singers were evaluated by laypersons or experts, presented to them in three different modes: auditory, visual, and audio-visual. A manipulation check confirmed that the singers succeeded in manipulating the face while keeping the sound ...[more]

PMID: 35001181

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Project description:Emotions are commonly recognized by combining auditory and visual signals (i.e., vocal and facial expressions). Yet it is unknown whether the ability to link emotional signals across modalities depends on early experience with audio-visual stimuli. In the present study, we investigated the role of auditory experience at different stages of development for auditory, visual, and multisensory emotion recognition abilities in three groups of adolescent and adult cochlear implant (CI) users. CI users had a different deafness onset and were compared to three groups of age- and gender-matched hearing control participants. We hypothesized that congenitally deaf (CD) but not early deaf (ED) and late deaf (LD) CI users would show reduced multisensory interactions and a higher visual dominance in emotion perception than their hearing controls. The CD (n = 7), ED (deafness onset: <3 years of age; n = 7), and LD (deafness onset: >3 years; n = 13) CI users and the control participants performed an emotion recognition task with auditory, visual, and audio-visual emotionally congruent and incongruent nonsense speech stimuli. In different blocks, participants judged either the vocal (Voice task) or the facial expressions (Face task). In the Voice task, all three CI groups performed overall less efficiently than their respective controls and experienced higher interference from incongruent facial information. Furthermore, the ED CI users benefitted more than their controls from congruent faces and the CD CI users showed an analogous trend. In the Face task, recognition efficiency of the CI users and controls did not differ. Our results suggest that CI users acquire multisensory interactions to some degree, even after congenital deafness. When judging affective prosody they appear impaired and more strongly biased by concurrent facial information than typically hearing individuals. We speculate that limitations inherent to the CI contribute to these group differences.

Dataset Information

Multisensory integration of musical emotion perception in singing.

Publications

Multisensory integration of musical emotion perception in singing.

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